Milking the ashes, setting fire to the ground
Solo exhibition, Galleri Monitor, Gothenburg, January 2025


The birds land in the trees both inside and outside, the worms crawl in the dirt on both sides. But when you cross the threshold to the cemetery you enter a place of sorrow and reflection. Step into a place where the dialogue between life and death is ever present.

Collecting the flowers, gathering the branches, transforming the material, milking the ashes, setting fire to the ground.


In Milking the Ashes, Setting Fire to the Ground, Nina Kraul Maegaard exhibits a year of working with the cemetery and its themes of cycles, transformation and contradictions. Gathering and exploring both the narratives and materials from the radical space of the cemetery and transforming and immortalising them with the help of the ceramic medium.


Threshold, 2025

Manganese stoneware clay, consecrated ground

47x33x3cm

Time (tree, turn to stone), 2025

Manganese stoneware clay

Dimensions vary. approx. 66x45x5cm


Seed, 2025

Manganese stoneware clay, consecrated ground

47x33x3cm

Untitled (Urn), 2024

Woodfired managnese stoneware clay

40x11x9cm

Seed (sorrow, turn to stone), 2025

Stoneware clay, glaze of ashes from discarded flowers from the cemetery

61x43x4cm